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[[File:Treasure island san fransisco world fair.png|center|thumb|800x800px|Treasure Island, an artificial island created for the world fair.]]
[[File:Treasure island san fransisco world fair.png|center|thumb|800x800px|Treasure Island, an artificial island created for the world fair.]]


image{{#ev:archiveorg|id=stolen-history-part-3-mystery-of-the-worlds-fairs|alignment=center|autoresize=true|description=Stolen History (Part 3) }}
{{#ev:archiveorg|id=stolen-history-part-3-mystery-of-the-worlds-fairs|alignment=center|autoresize=true|description=Stolen History (Part 3) }}


==== Capriccio ====
=== Capriccio ===
Have a look at an artist famous for his etchings of Rome and of fictitious and atmospheric "prisons" (Le Carceri d'Invenzione). He was a so called Cappricio artist.
Have a look at an artist famous for his etchings of Rome and of fictitious and atmospheric "prisons" (Le Carceri d'Invenzione). He was a so called Cappricio artist.


In other words, contemporary interpretation of his creations is that it was a fantasy of the author. There is no historical evidence that Capriccio artists were making stuff up. Such an interpretation appears to be a very convenient way to explain the inconvenient truth.
In other words, contemporary interpretation of his creations is that it was a fantasy of the author. There is no historical evidence that Capriccio artists were making stuff up. Such an interpretation appears to be a very convenient way to explain the inconvenient truth.


galley
==== Collection from [[wikipedia:Giovanni_Paolo_Panini|Giovanni Paolo Panini (1691 – 1765)]] ====
<gallery mode="slideshow">
File:Giovanni Paolo Panini 12.jpeg
File:Giovanni Paolo Panini 01.jpg
File:Giovanni Paolo Panini 02.jpeg
File:Giovanni Paolo Panini 03.jpeg
File:Giovanni Paolo Panini 05.jpeg
File:Giovanni Paolo Panini 06.jpeg
File:Giovanni Paolo Panini 07.jpeg
File:Giovanni Paolo Panini 08.jpeg
File:Giovanni Paolo Panini 09.jpeg
File:Giovanni Paolo Panini 10.jpeg
File:Giovanni Paolo Panini 11.jpeg
File:Giovanni Paolo Panini 13.jpeg
File:Giovanni Paolo Panini 14.jpeg
File:Giovanni Paolo Panini 15.jpeg
File:Giovanni Paolo Panini 16.jpeg
File:Giovanni Paolo Panini 17.jpeg
File:Giovanni Paolo Panini 18.jpeg
File:Giovanni Paolo Panini 19.png
File:Giovanni Paolo Panini 20.jpeg
File:Giovanni Paolo Panini 21.jpeg
File:Giovanni Paolo Panini 22.jpeg
</gallery>
 
==== Collection from [[wikipedia:Giovanni_Battista_Piranesi|Giovanni Battista Piranesi (1720 – 1778)]] ====
<gallery mode="slideshow">
File:Giovanni battista piranesi 01.jpg
File:Giovanni battista piranesi 02.jpg
File:Giovanni battista piranesi 03.jpg
File:Giovanni battista piranesi 04.jpg
File:Giovanni battista piranesi 05.jpg
File:Giovanni battista piranesi 06.jpg
File:Giovanni battista piranesi 07.jpg
File:Giovanni battista piranesi 08.jpg
File:Giovanni battista piranesi 09.jpg
File:Giovanni battista piranesi 10.jpg
File:Giovanni battista piranesi 11.jpg
File:Giovanni battista piranesi 12.jpg
File:Giovanni battista piranesi 13.jpg
File:Giovanni battista piranesi 14.jpg
File:Giovanni battista piranesi 15.jpg
File:Giovanni battista piranesi 16.jpg
File:Giovanni battista piranesi 17.jpg
File:Giovanni battista piranesi 18.jpg
File:Giovanni battista piranesi 19.jpg
File:Giovanni battista piranesi 20.jpg
File:Giovanni battista piranesi 21.jpg
File:Giovanni battista piranesi 22.jpg
File:Giovanni battista piranesi 23.jpg
File:Giovanni battista piranesi 24.jpg
File:Giovanni battista piranesi 25.jpg
File:Giovanni battista piranesi 27.jpg
File:Giovanni battista piranesi 28.jpg
</gallery>There were many more of the so called Capriccio artists working within the same time frame. They observed the same objects in a very similar manner. It is so easy to dismiss the evidence by pretending that their creations were a work of fiction. What if they reflected exactly what was observed?
 
What do we see in those paintings and engravings? We see semi destroyed buildings, mud and dirt filling in spaces between those buildings. We do not see pavement or some sort of hard surface between the structures. Would imagine that people capable of building such structures were capable of quality work all the way around. And of course in their works we see small to medium size trees growing on those buildings and in places where should be no trees. Based on the size of those trees we could approximate when those trees started.
 
There were multiple artists creating similar work. Engravings and paintings reflecting our world in ruins. To name a few of those artists:
 
* ''[[wikipedia:Alessandro_Salucci|Alessandro Salucci]] (1590 –  c. 1655-60)''
* ''[[wikipedia:Marco_Ricci|Marco Ricci]] (1676 – 1730)''
* ''[[wikipedia:Luigi_Rossini|Luigi Rossini]] (1790 - 1857)''
[[File:Alessandro Salucci - View with architecture, triumphal arch and figures.jpg|center|thumb|900x900px|Alessandro Salucci - View with architecture, triumphal arch and figures]]
[[Category:History]]

Latest revision as of 00:16, 5 March 2025

Stolen History

Where has all the beautiful architecture of our past gone? Most of history has been fabricated by the parasite class, and there may have once been a more unified, advanced culture that was wiped away from our collective memory.

Part 1 - Introduction

Stolen History (Part 1)

Part 2 - The Destruction of the Old World

Painting by Canaletto - Dresden seen from the Right Bank of the Elbe, beneath the Augusts Bridge.
Stolen History (Part 2)

Part 3 - The Mystery of the World Fairs

Treasure Island, an artificial island created for the world fair.
Stolen History (Part 3)

Capriccio

Have a look at an artist famous for his etchings of Rome and of fictitious and atmospheric "prisons" (Le Carceri d'Invenzione). He was a so called Cappricio artist.

In other words, contemporary interpretation of his creations is that it was a fantasy of the author. There is no historical evidence that Capriccio artists were making stuff up. Such an interpretation appears to be a very convenient way to explain the inconvenient truth.

Collection from Giovanni Paolo Panini (1691 – 1765)

Collection from Giovanni Battista Piranesi (1720 – 1778)

There were many more of the so called Capriccio artists working within the same time frame. They observed the same objects in a very similar manner. It is so easy to dismiss the evidence by pretending that their creations were a work of fiction. What if they reflected exactly what was observed?

What do we see in those paintings and engravings? We see semi destroyed buildings, mud and dirt filling in spaces between those buildings. We do not see pavement or some sort of hard surface between the structures. Would imagine that people capable of building such structures were capable of quality work all the way around. And of course in their works we see small to medium size trees growing on those buildings and in places where should be no trees. Based on the size of those trees we could approximate when those trees started.

There were multiple artists creating similar work. Engravings and paintings reflecting our world in ruins. To name a few of those artists:

Alessandro Salucci - View with architecture, triumphal arch and figures